Anonymous

May. 31st, 2020 12:03 am
Anonymous is back: https://twitter.com/ASB_Breaking/status/1266939977709084672

As far as I can tell, though, it's mostly just a dramatic video; I see no evidence they've actually *done* very much. And we all know that "genuine" isn't really something you can apply to Anonymous. They have no organizational structure; just a bunch of people in IRC channels some of whom get together and do stuff. It really is just a name and an imagery that people can pick up and put down as they choose. It carries some weight because of past things that have happened under its umbrella, but at its core it's true anarchism.

This is *evidenced* by the fact that so far they've... DDoSed the Minneapolis police department. CloudFlare's protection is already kicking in there; it loaded extremely slowly when I tried it, and I saw the CloudFlare protection screen, but it is up and I was able to access it-- and not just the CloudFlare snapshot; a second try ten minutes later got me the actual page and no more slowness. Besides which, DDoSing something shows you can get access to a botnet, which I gather isn't hard if you're the sort of person who knows how to visit darknet sites. It's not a terribly impressive feat of hacktivism. Certainly it doesn't merit the kind of drama and "YAY ANONYMOUS" that's starting to be all over Twitter, and it's definitely not the kind of "We will expose all your secrets" promised by that video.

Though I do agree with the people on Twitter going "Good job on accessibility for including captions."
Given the nightmares I was having last night I really *should* have checked the content warnings, but I'm so used to the show not hitting any of my deep fears. Of course, I'm also used to my normal fears being primarily related to domestic violence, which is a subject Jonny has blanket stated the show isn't going to touch on-- I'm used to this being a show where I don't even have to think about the possibility of it setting me off.

Then again, I'm not sure I'd have realized what was going on even *with* content warnings, which is one of the reasons I roll my eyes so much at the "The world must be sanded down to avoid ever accidentally touching anyone off! crowd" on Tumblr. Sometimes you're just going to encounter things that set you off unexpectedly and it can't be helped. In this particular instance, the pandemic and my apartment-hunting issues have apparently turned into a lot of fears of home loss, and while I've never lived in an apartment that was necessarily *unsafe*, I have certainly lived in places that were falling down around me and that I was afraid of. So when you get to an episode that primarily centers on burning apartments, my principal reaction is panic. I mean, I listened to it, the whole way through, but I'm not sure that was necessarily a wise choice.

Cut for Spoilers )

(On a completely different note, today's forays into fanfic gave me a moment of "Magnus Archives: the fandom where something being tagged 'canon-typical worms' makes perfect sense to me.")

Wizards of the Coast *is* slowly pricing everyone out of the game. When you have the same major kerfuffle over and over again, either you're doing it on purpose and you don't care, or that highly vaunted market research you're always so proud of needs a major tweak. Since I don't think the people running Wizards and specifically Magic are *actually* this unobservant, that leaves door number one.Cut for being really long... )
The Omegaverse lawsuit has hit the New York Times!

It was noted to me once that way copyright lawsuits are means that eventually if this goes on long enough some judge is going to have sit there reading a whole bunch of omegaverse erotica to determine whether there's copyright infringement, which I found an interesting thought at the time-- sure, judges have seen almost everything, but they're also generally pretty straitlaced.

But now it's in the NYT which means a whole bunch of people who were not already interested in this are being introduced to concepts like "knotting" and "mpreg".

And just... can you imagine what this looks like, from the outside, encountering it divorced from the context in which it sprang up? Supernatural basically built omegaverse from the ground up and from there it spread to the rest of Superwholock, and out into the rest of fandom. It is *intimately* connected to fandom culture.
Me over on [personal profile] schneefink's journal last week: "I wonder what the End is like in a world where people can't die..."
The show, this week: "Let's go visit the End!"

Apparently it's listening to me.

Rest of Post Cut for Spoilers )

Star Power is ending, which is sad and disappointing. I really love Star Power, and always have, ever since the very first ConBust where I discovered it by wandering up to a table in the dealers' room. They didn't have a full book yet, just a few comic issues, and I didn't buy anything but spent a while talking with the writer. Since ConBust is a little college con and no one was around his table, I figured he was probably just starting out, but the comic was good and he seemed nice. And then I went and looked him up and discovered Dominic Deegan: Oracle for Hire, and had this moment of "...oh, wow, he's a *somebody*, isn't he." You just don't expect people who are that well-known to be in a mostly-empty dealers' room at a tiny con having a protracted conversation with you about the portrayal of women in superhero stories.

But I have kept reading it steadily since that first encounter, and it's strange now to hear the announcement of the ending, and remember just how long ago it was (years and years!) since it first began. I never did make my Star Power outfit, though I do still have the jumpsuit we ordered from the internet to be the base. I should finish that. [personal profile] benign_cremator was going to make me a glowing broadsword and rig the outfit so I'd actually light up. I'm sad it's ending; while I know they'll give it a good wrap-up, there are so many stories left to be told with these characters. (I know everyone's burned out on superheroes, but this has always been something different, and special. Even as I have *completely* burned out on Marvel I have never stopped reading Star Power.)

Also it's the year of NO CONS, which means getting my hands on the rest of the books will require more effort than usual; normally I wander up the table at ConBust and buy the latest one and have it signed. One year in full faerie queen regalia I even swept a deep curtsy and told him that his work was known in the Seelie court and my queen had bid me bring back a signed book for her, to which he played along beautifully.
This command line book keeps stopping to make commentary on how WONDERFUL Linux is in comparison to Windows-- the latest being that Windows is like a Game Boy where you can only do what the game cartridges say and eventually get bored, while Linux is like an erector set because you have COMPLETE CONTROL.

Quite aside from some fundamental skepticism of that entire metaphor, this is an instructional book on Linux command line. If I am reading it I am probably committed to using Linux. There is no need to get all dramatic propaganda.
Every time I rewatch the original Sabrina the Teenage Witch, I'm struck by how much *fun* this show must have been to work on. Because while all of the things that happen make sense in context, and the *characters* either forget what happened (the mortals) or are just used to a world that runs on silliness (the witches), for every one of the wacky "magic runs on storybook logic" scenes, the *actors* are still playing all that out-- so in the Thanksgiving episode, Harvey doesn't notice/remember either the drawing board sequence or getting turned into a Fonzie parody, but Nate Richert got to cycle through a whole bunch of different versions of his character. Thanks to the nature of magic in this show, every few weeks they're doing a different genre for some or all of the episode-- there's the one where the episode becomes a soap opera and suddenly they all have to do everything REALLY DRAMATICALLY, there's the one where it's suddenly a spy-thriller parody and they're going "today we are dressing up in black catsuits and doing silly stunts", in the final season there's a musical number complete with Broadway-style dance routines (which, thanks to the nature of magic, is occurring in-universe) well before having a Musical Episode was a thing most shows did... they even have an episode that's a silent movie, complete with period costumes.

It must have been so much fun, and so challenging to one's range, to come in each week never knowing what genre the show was going to be (well, always comedy, but is it a fairy tale comedy? Are we suddenly in The Crucible?), and knowing that whatever genre it was, you were probably going to get to do some ridiculous overacting-for-the-comedy-of-it at least once.

(And of course the show itself takes on a certain tenor when you stop to think about the fact that while it does make sense in context, someone was actually standing there melodramatically exclaiming "These fishsticks are simply divine!" while wearing a ridiculous scarf.)
Apparently MA has joined the 21st century and is allowing online ballot petitions. They're petitioning to get ranked choice voting onto the ballot as a ballot question.

This ballot question sadly doesn't implement it for presidential elections, but using it *anywhere* and proving that it works is a first step, and Maine's already got it running. (We led the nation in gay marriage; let's lead the nation in this too!) If you're an MA voter, you can sign it here:

https://sign.voterchoice2020.org/


The four categories of fiction are:

Excellent writing with excellent premises, which are wonderful but only a small fraction of writing,
Excellent writing that redeems a *terrible* premise,
Terrible writing that ruins an excellent premise,
and WHY WOULD YOU DO THAT AND IT'S NOT EVEN WELL-WRITTEN.

It is, of course, generally considered rude to express either of the latter two sentiments at an author, particularly a fanfiction author, whatever you privately think of their writing. Really, you want to be careful how you phrase option 2 as well. ("I'm not normally a fan of ~premise~, but your take on it has very much interested me", not "~Premise~ is TERRIBLE but you've somehow made it READABLE.")

I do find it very interesting how writing quality can ruin a great premise or save a terrible one for me, though-- like, there are a number of fanfiction plot descriptions that I look at and go "This shouldn't work. This is going to be terrible. Of *course* this is going to be terrible because this SHOULDN'T WORK." And then, of course, it turns out to be amazing.

(While the categories apply to all fiction, I find it more obvious in fanfiction, where I can read a hundred stories with the exact same characters and plot and thus get a much clearer picture of how the writing style and quality affects the story. I have a number of specific plots I really like in theory that I have a lot of trouble finding actual *fics* for that I like.)
I've been learning command line, and also rereading fanfic.

One fic I've been reading features this quotation from Socrates: "You are providing for your disciples a show of wisdom without the reality. For, acquiring by your means much information unaided by instruction, they will appear to possess much knowledge, while, in fact, they will, for the most part, know nothing at all; and, moreover, be disagreeable people to deal with, as having become wise in their own conceit, instead of truly wise."

He's talking about reading in general, which I can't agree with in full-- I do think having access to information is important, however easy it is to misinterpret when you're teaching yourself. But I've been very focused on building my computer skills for about four days now, and I've been finding an interesting set of applications applied to that, because I started out with a big book on systems administration. I also have several people in my life who code for a living. I'm not even an entire chapter into the systems administration book and I've already had several things happen to me because of talking about what I'm doing with various other people who are willing to provide insight about it:

A long discussion about open-source ideology, sexism, racism, and classism, and the history of these things in the computing community
The man command exists
You'll probably wind up Googling everything anyway because the man command isn't informative
Bash is both a shell and shell scripts and you should know which one you're trying to learn (the first one is what you start with)
Some amount of "this is what a shell is"
A book on Linux command line that's explicitly a teaching book rather than a reference book
Scala is amazing and you should consider learning it / Scala is a niche language only occupied by very specific people so don't bother with it and definitely don't do it *first*
Rust is the first language to permit truly good code / Rust isn't quite that amazing but plays nicely with Scala / Rust is lower-level than Scala and so closer to system administration but still not quite "a thing you're likely to be using"
The entire structure of the internet prohibits genuinely good security practices
Python is an up-and-coming language; Ruby is on its way out
Lots of the recommended additional reading in the sysadmin book was written by people with Opinions and you should consider the authors before deciding to read them or take them seriously
Some history of GNU versus Linux
Linux distributions fall into broad categories of Debian, Redhat, and Other
Open-source has weird purity culture attached to it
As a result of the weird purity culture, some people don't like that Redhat makes money
A website with some silly zines and printable posters with Linux commands
Being able to speak both programmer and librarian is actually a valuable skill in some segments of the programming world
Vim is a hobby that happens to edit text, and text editors in general have a *really weird* Culture around them

All in the last FOUR DAYS, and I'm not even spending my entire day on it; I'm still spending a lot of time working at my currently-still-extant day job, reading, starting to look at apartment listings, and panicking. (And when I can pull it off, some writing fiction, as I am theoretically still doing that.)

And none of that would have happened if I were only working from the book I originally took out of the library! I'm not sure I would have necessarily come to a lot of this at *all* if I were *only* working from books, and certainly it would have taken longer. I'm sure my views of a lot of it will change and reform as I gain more depth of knowledge (right now I have cd, ls, file, and less, in command line, and 33 chapters to go in the command line book), but having other people of more experience around to discuss with is definitely valuable in helping form that depth of knowledge.
Hey, Magnus Archives fans! I found these pretty cool essays on the internet:

https://findingfeather.tumblr.com/post/616763211741626368/so-the-tma-season-4-wait-wait-theres-more-jon
https://findingfeather.tumblr.com/post/616846833452548096/nerdytshirts-findingfeather-so-the-tma

They're basically all about trauma and how trauma is portrayed and how everyone behaves incredibly terribly in season four because they are extremely traumatized, which is... well, REALLY VERY ACCURATE and the show is doing this thing where it's portraying the effects of everyone suffering from trauma incredibly well without any self-consciousness about that fact (I mean, sure, Jonny wrote this into the show very consciously but he's just *portraying* it, not getting all head-fussed about it), which means it's all there but it blends so well no one really thinks about it too hard or discusses it much except to go "Y'all are BEHAVING BADLY" at various points in time.

Go read! Come back here to discuss if you're so inclined!
Book: "Now before we begin, you'll need to know vim, bash, Ruby or Python, and expect, so if you don't know those go learn them before we continue!"
Me: "...so all the reviews claiming this was a book for beginners *lied* to me."

(In entirely unrelated news, guess what I'm now learning!)
The fact of this existing is not going to stop me from eventually getting around to writing my version both because my take on the concept is a bit different and also a hundred versions of the same plot is what fanfiction *is*, but if anyone's looking for a fully musicalized take on "Check Please: The Musical", someone took all the song titles from Ngozi Ukazu's tweet and wrote and recorded them: https://www.youtube.com/playlist?list=PLBw2mZQycVkZxKJwtjLOmwttZNQVvGabW

It's amazing.
You know that thing where you have two essays tumbling simultaneously through your brain all tangled up and then you try to write both of them at once and discover that neither of them can possibly live up to what's tumbling around in your brain?

Yeah, that's what I'm experiencing right now. So you get this essay now, another one later, and neither of them are going to adequately express everything I'm thinking, which I suppose is the eternal curse of the writer. (I *love* that line from "The Hours" where Richard comments on how everything was so much less than he wanted it to be even as he's winning the most prestigious poetry award out there.)

In this particular instance, [personal profile] siderea crossed over into my subject area with this post, and now I am having Thoughts.

Once upon a time, in the days of yore, most schools had at least one school librarian. I don't think school librarians have ever been funded *well*, but there used to be more of them, and they used to be recognized as professionals with a complementary but not identical skillset. For that matter, they are a complementary but not identical skillset to the public children's librarian; I had some of the same classes as people doing that but a lot more freedom in my schedule. We have, as school libraries have been cut, been taking on a lot *more* of those functions than we're actually meant to or suited for (libraries: the catch-all social service, and that is another essay entirely)-- in an ideal world, if the teacher says "here is a list of people you can do your biography report on", they've consulted with the school librarian first and made sure grade-appropriate biographies of all of those people actually exist in the school library, and because serving the curriculum is part of the function of the school library, if they say "I want to have a biography report and need you to have grade-appropriate biographies on a bunch of these people," the school librarian will *do that* insofar as her budget allows. The teacher does not need to go try to hunt down age-appropriate biographies; the librarian will do that-- or will come back and say "there are no age-appropriate biographies on this person; here are some other Local Personalities you can use to try to get that same local flavor, or you can drop the requirement that they must use print books and they can use these online sources."

(The school librarian will also explain to you why, in this age of graphic novels winning the Caldecott and picture books winning the Newbery, declaring you are going to read the year's winner with your class before you've seen what won is a bad idea. Yes, a school librarian did in fact write in to School Library Journal asking how to explain this to a teacher for whom it was apparently *not* self-evident that a book obviously out of the age group of her classroom shouldn't be used with her classroom.)

Curation is a subtly different skill from teaching. My experience is that a lot of teachers are aware that we're more trained for it than they are or aren't great at it don't have time to do it themselves, although there's unquestionably a lot of sample bias there-- I don't encounter the ones who aren't asking me to please find them twenty books on sunflowers that are appropriate for second-graders.

When I look at what siderea suggests schools should be doing for the pandemic, I see things that the school librarian should be helping with: finding existing educational online resources that are at least somewhat captivating, helping the teachers incorporate those things into the curriculum, and helping the teachers interface with the unfamiliar technology they're now using. (No, not all librarians are great with tech, but we have fewer excuses for it-- informational technology is within our remit, as is, within reason, being able to figure out things we don't know how to use.)

Many of the public libraries have in fact done the thing siderea is describing! But we're necessarily communicating to a wider audience. Children's departments have babies up through teenagers to cater to, and the way we conceive of "developmentally appropriate" is not always the same way the school system conceives of it. It's the same reason public libraries don't respond to every collection development request they get from teachers, even though they are getting more and more of them as the school libraries get cut. Our primary function isn't supporting the schools; it's supporting the community, which includes the schools (*all* of the schools, which can sometimes mean five or six elementary schools alone in a suburban city that's large enough for multiple schools but not multiple libraries) but also includes homeschoolers and children too young to go to school and teens who've dropped out-- and *doesn't* have a primary mission of curriculum support but instead one of community support. The school library has a much narrower focus.

(Incidentally, we're also a lot more conscious of the childcare role the schools play, because we are explicitly *not* playing a childcare role, but one of the reasons we're closed right now is that when the schools are closed people congregate at the library, including randomly leaving their children there whether said children are old enough to be left there or not.)

So where am I going with this? Again, not anywhere specific; I'm mostly just pointing out that school librarians exist for a reason and that we'd probably be doing at least somewhat better at the distance-learning aspect of the pandemic if schools had librarians-- and that the school librarian actually is a much more professional role than most people admit to. But I'm also pointing out that "Can't they do more curation" is actually a fundamentally different skillset with a completely different career path attached to it. I've used very little of the half an education degree I got before deciding it wasn't for me in my career as a librarian, even during those periods of time when I've been fortunate enough to actually be working in the children's that I've trained for. (How do you get half an education degree, you ask? My college had a program where you could do a combined BA/MAT in five years. I wanted to do this until I'd done two years of it and then I really, *really* didn't, but by then I'd taken many of the required classes.)

Writing

Apr. 28th, 2020 11:25 pm
I'm having a lot of trouble concentrating on writing--especially given that most of my original work tends to focus on "Let's talk about TRAUMA!" in various shapes and forms-- but I'm still energetically enthusiastic about Magic. So I'm back to "I'm gonna AU War of the Spark and put it up on AO3."

I mean, writing a giant fanfiction novel will absolutely have the effect of making me a better writer in the end, so it's all fine, and I care *deeply* about the way these characters were wronged, which means I can still summon the spoons to work with them. (As was proven this morning by my enthusiastically telling Mathfriend the general character arcs for Vraska, Jace, and Liliana during *Forsaken* in this AU that I'm creating-- ie, I'm already mentally planning not just one giant epic fanfic novel, but the sequel as well.)

Other ideas which I'm just putting a pin in to save for later: writing book and lyrics for that "Check Please: The Musical" that was joked about on the author's Tumblr way back when. And Sanders Sides college AU focusing on long slow-burn Analogical shipping. (For that matter, Sanders Sides long slow-burn LAMP soulmate AU that pays close attention to the possibilities of the conceit rather than either rushing to a meeting or lingering overly long on "But Virgil's home life is LITERAL TORTURE!" Like, seriously. Y'all. Most abusive parents are not *sadists*; they're abusive because they have their own issues and aren't great at dealing with those issues or with the world. I promise you can still have an anxious, hurting character without going so over-the-top that the only thing I can think reading the story is "No, really, *someone* would have called CPS by now. Probably years ago.")
The most recent episode I have listened to at the time of posting this is "The Sick Village". (Which is to say, I'm caught up.) My prediction for the ending, based on the information we acquired in this newest episode: the "somewhere else" to send the powers is going to turn out to be inside either Jon or Martin, or require the death of either Jon or Martin, and require the other one to be the one who pulls the trigger on it. I'm guessing Martin for death and then Jon suddenly not being Archivist anymore with the banishment of the powers and having to learn to live like a human again while grieving for Martin and having no way to put any of what he's done for the last few years on his resume. Martin is more in touch with his emotions and we've already established that he's connected enough to the Panopticon to be inside it; Jon grieving him is much more pathos-y than the other way around.

(I really want to know what it is Elias is *getting* out of any of this, though.)
Between being reintroduced to Magic by someone who had been a judge and having very much wanted to be a judge myself until Wizards killed that dream with the advent of Judge Academy (I am still *so angry* about Judge Academy), I read and listen to a fair amount of judge media. (I was the person whose response to finding a bunch of essays on how to properly conduct a deck check was more or less "Yes, this is fascinating, tell me more in great detail!") Less now, because, again, Judge Academy killed it, but JudgeCast is still there and the same as it was, and I still listen to it.

They've got the current episode out on the new Ikoria set. This is an episode they do for every new set, and they're usually among the longer episodes, as the hosts go through the new mechanics for the set and then go over every card that has been deemed likely to have weird or counterintuitive interactions with other commonly used cards or mechanics, laying out what *should* happen with that card if those weird things ever come up.

I've heard people saying that Ikoria is the first set that was *designed* for online play-- it's the first set that went through the large bulk of its design process *after* it became apparent that the new online Magic game was wildly popular and had wildly increased the playerbase of the game. I had not fully appreciated the significance of that until I started listening to the Judgecast episode on the subject: 20 minutes into the episode, they're not done explaining mutate, and I've had to stop and replay parts of it several times to process what they're saying. The episode itself is 3 hours and 20 minutes, for a show where the release notes for War of the Spark, which everyone considered an overly complicated set resulting in an extra-long release notes episode, was an hour forty. This is *absurd*.

Bear in mind, as well, that Wizards has a history of explicitly setting out to reduce complexity in the game-- a *long* history, dating back to the fall 2006 set Time Spiral, which was loved by experienced players and completely incomprehensible to new ones. The reaction to Time Spiral has shaped their design philosophy ever since, and part of that design philosophy has been that you don't make sets too complicated. You make a few very complicated cards per set and the people who want extra complicated gameplay play in formats where those complicated cards are legal.

Honestly, this is the set that makes me give credence to the "Wizards is trying to kill paper Magic and move everything online" rumors. Ikoria is going to be a complex pain to play on paper. It will drive new players crazy and even I will probably find it frustrating. Online, with a game engine that manages merged cards for you, it'll be fine.
I saw someone recently put up a Twitter poll that read "Who do you think should be president?" Options listed for answers were Biden, Trump, and "Someone better who will never get elected." They then used the fact that that third one was well in the lead to be all "See? We shouldn't vote for Biden and the national committees control who gets elected."

There are a couple of problems with this. One is that your Twitter followers are *not* a random sample. If you're the kind of person who's posting that, the kind of people who follow you are people who are likely to agree with it, because you're probably posting leftist politics normally. Everyone you know agreeing with you, or large swathes of Twitter agreeing with you, is not the same as most people in America agreeing with you.

Another problem is that you didn't specify the "someone better". If your someone better is Sanders, a bunch of people are thinking of Inslee, then a bunch more are thinking "Gary Johnson" or "Bill Weld", and yet more people are thinking "Down with the presidency; anarchist collectives all the way!", you're going to have some problems right there with that vote getting split-- maybe to the point where Biden's got a plurality of people who actually do *want* him to be president, even if he doesn't get a majority. Large numbers of people not being happy with the current presidential candidates are not the same thing as those large numbers of people agreeing on who should replace them.

Y'all lose a lot of the moral high ground when you complain about push polls and media propaganda and then go resort to the same tactics yourselves.
To the people who are presently saying things like "Get rid of *all* of them" or "burn down the system" or "Time for the revolution!" as a reason not to vote for Biden:

Do you actually have a *plan* for that? Like, not just nebulous "But revolution!" but an actual *plan*, along the lines of "And we're going to do X specific actionable step, and then Y specific actionable step, and then Z specific actionable step?" (Actionable steps have specific dates and times and lists of necessary materials and locations where said materials can be obtained attached to them. You need a schedule and a budget before your revolution is actionable.) Because I kinda feel like people who had an actual *plan* for a revolution wouldn't be posting about it on social media where the NSA can find them and have the CIA torture them for information and their conspirators can get arrested. It's bad operational security. I think most you haven't thought about the specific action plans that would need to be attached to that violent uprising or the collateral damage it's likely to cause. Do some research on how revolutions in dictator countries have ended up, historically-- not the mythologized American Revolution but the Arab Spring and the Russian Revolution and the French Revolution. (Yes, France ended up in a democracy eventually, but first it had the Terror and that led to Napoleon and the empire. The democracy was much later. And the majority of countries with violent revolutions *never* end up in a democracy.)

So what do you actually expect to *happen* by not voting for Biden? On a purely practical level. What do you think the world will look like if you don't and Trump wins? ("I'm going to get people to write in Sanders and he's going to win" doesn't count. He couldn't win the primary while he was actually on the ballot; you really think he's going to win the general when he's not and has himself endorsed Biden?) Why do you think it will look that way? Why is it looking that way better than the way it will look if Biden wins? What makes you think there will be a free election in 2024 if Trump wins? ("It will look awful but it will be someone else's fault" is also not an acceptable answer unless you're also going to tell me why you think the world looking awful is okay as long as you can't be blamed for it.)

Because honestly, to me "the revolution" looks a lot like the left's version of the "good guy with a gun" myth or the post-apocalyptic dystopia fantasy of getting to kill people. No one has any sort of actionable plan for what they'll do if they're ever in that situation, and they don't really have the necessary skills to pull it off well. ("But do you?" you ask. I'm not the one running around saying we should have a violent revolution instead of voting for the candidate who won't prevent us from having elections in the future.)
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